Requiem for a Snail – A Poem

Photo by Emily Worms

My feet are moving so fast

rubber soles on runny pavements.

I am breathing noisily down the neck of the street

hands in pockets, eyes away from the cat-skittered shadows

and I do not see the snail until I step on it.

Crunch.   I’m sorry for breaking you

but I can’t stop.  I move 

from light

to light

to safety

and the motionless blue is no place for a lone swimmer.

In the dark, the streets belong

to the easily-crushed.

I imagine how my spine might 

fold, might be taken apart 

easy in someone else’s soft hands.  

Suburbia sleeps under thin cotton

the houses uncanny, awake

empty window, an eye; each numbered door, a gurning mouth.

I feel a figure loosen itself from every

ivy-hung and rain-rubbed wall.   The turns

I make are sharp, and each pulls the air from my lungs

into frightened gasps, aimed over my shoulder.  If feet were to

follow mine, to twist as I do between streetlight and silent 

dark, if a will was to set its sights on my ribs and elbows 

it would be exit stage left.  Leave no trace.  

Curtains would not twitch if I screamed.  

Teach your children to question every narrative

to think that silent house does not mean slumber

when the walls sigh in their sleep.  Abandon your ghosts

you who walks home late.  Take no 

lifts from strange men; take no easy breaths until you 

are locked in.  I feel my heart on my tongue

when I open my front door and join the town

beneath the surface of its indigo quiet.  No-one rises

till seven.  Cars are passive beasts, asleep at the houses’ heels.

There is always a light on in at least one window, 

flickering,

failing,

out.  

Daisy Harris

Accompanied by a beautiful photo by Emily Worms. Find more of her gorgeous work here: https://www.instagram.com/emily.worms/

Some Poems About Growing Up

Janet Horne

Inkblot forest, my feet know your rutted floors, my soul your wheeling sky

Scotch Witch, the trees hiss.  I think you have mistaken me 

for someone who knows what to do with darkness.

I forced her down, didn’t I, remember the dirt in her mouth

the only living thing I hated more than the cancer, silenced

choking; her heart squirming in my pitiless, shaking hands.

The last, the last, and they do not know your name.  A stone with no name

and your heart beat till the last smoke-scorned breath.  Do you know

I think they were frightened of you.

I did not die by fire; I trade in soil but my lungs are filled with water.  

Picture me, uncanny.  Shadow-wreathed young shoulders, head 

as old as a moss-wrapped gravestone – do the innocent truly sink?

In The Swing

For many months I walked between purposes

terrier-toed in case I slid too far to one or the other.

One said ‘cry’; the other said ‘stand’.  But I was strong enough

to hold a sword, and so I struck myself down instead.

Grown

I am old enough to brand a mark of my rawest hurt

into the place between my shoulder and elbow, where 

I used to cradle myself in my delicate days.  Where

now a stranger’s hand might grip, once, twice,

with a reassurance that, You’re alright…kid.

They, like me, hesitate

because can you call me a kid when 

I’m taller than you barefoot and I can say words

that break your voice without a second thought?

Sometimes I will let myself in with the spare key

and cry silently on the back doorstep 

cradling a cup of coffee that’s mostly warm milk.

My friends, I think, don’t know what to do 

with their hands around me.  Sometimes I 

push for fists because a bruise reminds me that

my blood still flows.  Other times, it’s their feet

I worry about.  They kick and kick but do not stand.

You can’t force them, everyone says

but I try.  It’ll take time, everyone says

but I did not have time, and the most mature

thing I think I have done is not begrudging them theirs.

The next is that I can still stand on rooftops, run in 

long grass, write like I mean it, and love 

like I mean it harder.  That I can live, growing, almost grown.  

Daisy Harris, 27/05/2019

A UFO Sighting Over A Scottish Field In 1956 – A Poem

A UFO Sighting Over A Scottish Field In 1956

I am in love with Nathan

who works the fields in the farm my da always said would run to nothing.

Nathan knows how to put the hayseed in my hair

bleached blonde by days in the sun, under the sky and twisted together

like the Don and the Dee.  Nathan reads poetry and kisses the sentiments

of the Pastorals into my Makyne’s lips.  I don’t want you to go, he breathes

against my cheek as I mount my bike in the lane.

It’s awfu’ pretty out the night, I tell him.  The crickets will sing your name to me

all the way home.  He grins at me like I have given him the sunset

like I hang a new star with every word I say.

Soppy girl, he says. 

I barrel homewards down whispering lanes

with his stinging kiss on my cheekbone.

The bike beneath me was built to bear the weight

of a son, to bear the half-grown bones of 

my brother, cut down

in a war I was too young to know beyond the bombs over Aberdeen

the silent fields with no men to work them

and the one time I ever saw my father cry.

The village changes its feathers fast; my da

says it isnae right that a girl with her mother’s curly hair

should wear it cropped, cropped 

like her short troosers, should kiss

without shame her own Nathan, should ride fast down lanes

when the songbirds are roosting and the badgers are out.

In the rutted lanes, my wheels scarcely stutter

over the potholes, flying a half-inch above the dark earth.  

Birds burst from the hedgerows and rise like Roman Candles

breathless wings erratic in the air.  Around me

the fields stretch out golden-bellied in the late sun, and 

in the rose-cheeked dusk, it’s possible to believe

that they belong not to man but to 

grass-moth and girl.

Whoosh. 

A wind rakes my hair from root to flaxen tip

and a dark shape cuts a smoke-strung line across the sky.

I freeze with my pedals at ten and two

hang for a moment, still in the evening air, as alarm-calls

rattle the grasses.  The dark shape falls to earth

two fields over, halfway up a hill

and sends the small rabbits screaming.

My feet meet the ground and the bike 

wobbles drunkenly as I stand and stare.  

In the fair-haired fields of the Petrie farm

the shape rests awkwardly in a halo of smoke.

I am sure that Scotland has never seen its kind before

that my eyes were no more ready to see the black hull

than da’s were to see me drink cider

at the ceilidh in Nathan’s barn.

The summer sky above me stretches

unbroken once more, as if the heavens had not spat

a horror unknown at my feet.  

The village lies west through woods and fields

maybe one-fourth of a mile from here.

I wonder will they fetch the snub-nosed fire engine

from town for this?  Will the men go near 

the smoking oddity or will they

leave it to rust among the rabbit-burrows? 

Museums in Aberdeen

or in Edinburgh or London will pay me to bring them

what my eyes have seen and wished they hadn’t.  

Newspapers will print my picture and people 

I have never met will condemn me as drunk and simple  

and Da will tell me that the black shape is nothing

but a seam in the clouds, a bolt from the blue

like the shell that killed my brother.  Madness 

like the upstart hands that held the scissors

as I cut my hair.  

The hay-sweet air is beginning to thicken with tarry smoke.

I turn my bike in the lane, riding fast and frantic, 

spitting pebbles and twigs from under the tyres

shaking like a sick child.  There in the lane Nathan is running

towards me, and the bike coughs under me as I brake.  I fly

to him, and as he starts to speak I finally catch

in my mouth my frightened breath.  

Oh, God!  Oh, God!

The world is ending!  

Here, over God’s green fields

the world has widened and flown apart

and taken me with it, bike and all.  

Feel my heart! It’s like a rabbit’s.

But I am not a rabbit. I did not run, Nathan.

I flew. I flew. I flew.

Daisy Harris, 05/2019

This poem is decidedly not based on a true story, however it was inspired by several. For full effect, alternate between listening to ‘Concerning The UFO Sighting Near Highland, Illinois’ by Sufjan Stevens and ‘My Finest Hour’ by The Sundays whilst reading. Also, have a go at reading it in an Aberdonian accent 😉

My Favourite Escapril Poems

A selection of my favourite poems I wrote during #Escapril2019.

Day 1

  1. A Fresh Start

I’m moving south 

for a new beginning.

It’s a strange and brutal thing to think about 

the girl who grew so tired of her own tangles that she cut them out.

I run south with the river that has carried me all my life

where larch gives way to spruce gives way to English oak

to you who have never felt the chilly prickle of the wind over the hills

or the yank in your stomach as you gulp gin on the filthy beach.

My legs will never stop knowing when to turn left

and my hands will never forget the bite of a fence I should not be climbing over

into fields that muddy my feet and haunt my waking dreams.

My tongue never quite learned to speak Scots

but knows the shapes of their words and songs and people asking where I’m from.

I wonder if it will be a fresh start after all.

If I’ll walk home through English streets to fall into bed beneath a sky that seems closer

and think about how her mouth tasted like sugar and how his searching hands didn’t know how to take no for an answer and how the shipwreck you can see from my gran’s bedroom window looks red when the sun shines on it.

Leaving can rip your heart out, but it will leave the things that inhabit it where they lie.  

Day 4

4.  Anxiety

What a weighted word.

Weighted like worries and worries and whys and worries

like listening to Daft Punk in the dark

and wanting to die.

Fifteen

fear is your enemy, fifteen.

Sixteen will tell you so

as she swallows beer and bloodied lips with equal enthusiasm.  

Eighteen doesn’t know how either of you survived.

There are tiny tummy-wrenching moments –

what if he doesn’t like me what if my dress doesn’t fit right what if I can’t drink like they can 

and then there are long, gulping silences that sound like

EVERYONE YOU LOVE IS GOING TO LEAVE.

One drink and I’m dizzy

two and I’m drowned.

It’s all about making it impossible to return

blocking routes to gravesites.  

Sixteen is six feet under

fifteen’s somewhere worse.

Eighteen writes things that confuse her

and drinks something stronger than beer when she wants to forget the earth under her fingernails.  

Day 10

10.  Femininity

When I was small, I loved Land Army posters.

Apple-cheeked girls smoking rationed cigarettes and kissing their soldier boyfriends on odd weekends

cropped curls and high-waisted twill shorts, fragile hands and stalwart grins gracing green hills

Their lips were so red all the time 

even when they ploughed the men’s forsaken farms, they were all cherry and charm

tough and sweet like russet-feathered kestrels.

My youth is wilder than wartime;

I run through fields bracketed by electric fences and cloudbust skies scissored by power-lines.

I keep my hair short because it doesn’t feel like mine when it’s long.

Dresses are a rare treat; shorts are rarer still, long grass on my calves and freckles spilling down my skin.

Androgyny is a pill I swallow without thinking about it.

I sing folk songs in my husky voice, my mother says I have an old-fashioned face.

My father says he doesn’t like the way I sit with my legs apart 

and that I look prettier without my specs on.

I keep up with the boys by taking words for parts of my own anatomy and making them ugly.

Murdered women in films get paler and prettier each year and each year I see more of them in the papers.

Tough and sweet are things I strive to be, not necessarily in that order.

Knowing how to hit someone so they’ll let you go

isn’t very ladylike, is it?

Wouldn’t you rather have a corpse that looked like a girl a man could mourn?

Day 11

11.  Not From Your Perspective

True Confessions of a Stepford Wife:

Well, really!  Why do you 

spill your hot coffee and your hotter hands

all over my buttercup body?

It’s like nobody ever taught you

that the proper way to bake a man’s heart

is between the third and fourth ribs with a blade of 

pure silk!  He is just so good to me.

Honeymooning down aisles of canned cream and bloodied chops

I’ve never known any butcher who could hold 

a woman like my sweet boy.

We put our feet to the gramophone’s 

soft, stuttering cry of a child, mommy, mommy…

You can’t believe everything you read

in the papers or in Plath.

Maiden names and half-remembered misdemeanours mean nothing

when the blood of a white lamb bred one whiter still.  

Won’t you take a little Clorox in your coffee?

I cannot stand for my home to be in such a state of

catatonic clumsiness.  Cat got your tongue?  Cat got your –

Oh, silly me!  I must be home to bed.

Day 12

12.  Spring Cleaning

Have you cleaned out the bones

in your briar patch?

Under Elysium’s turbulent skies 

lie a hundred through-roads to nowhere.

Meltwater carves quicksilver veins through the hillside;

have you heard what the bees are saying this year?

If you lie tangled like wild bramble in the dog-hair grass

the rabbits will run their lucky feet all over you.

Day 16

16.  Any Dreams?

Yes.

Oftentimes I dream of my mother.  I’m told that this is normal.

One night she came to collect me in her car.  I’m assuming that this meant that the woman in my dream

could drive, could gather me in her arms like when I was three and sing me lullabies without stuttering.

I ran to the car, and this is when it struck me

quite hard in the chest

that this was a longing dream.

I couldn’t reach the car for all that I ran and for all that I ached

and eighteen is really quite a fragile age when you’re asleep.

Another night I dreamt that her afflictions infected me

that I was wandering around a surreally-bright supermarket, dying.

I fell at your feet and said, I have this thing in my head that’s going to kill me.

You said, Okay.  

Then you broke something.  And then we kissed.

What’s a teenage dream without kissing

even if it’s the last thing you do before you die?

Some nights I dream of flight.

I am fluid and natural

pushing off buildings

swimming in the sky 

and it feels like something I could do

if only I could find the places in my bones that know how. 

I wake thinking I can still do it.

Other nights are odd:

that girl off the TV started a fight with me 

but in this dream I was briefly resilient

until you appeared and said

I love you and I said I wish.

Day 21

21.  It’s The End of the World

Everything’s quiet

so we play your dad’s CDs until it’s not anymore.

Stinging rock riffs ring out 

across an acid-scarred suburbia.  

Under the bled-out sunset sky

we dance like the mad things mankind could not destroy.

Strings cut, we take turns riding your skateboard

backwards down one-way streets.

When the protesters said ‘the young will inherit the earth’

this wasn’t what I thought they meant.

Half the streetlights are blown out

but there’s nothing to fear in the dark anymore.

We tangle our hands as we walk back to your house

where music echoes across the empty street.

“Falling in love,” you mouth

but I am too busy loving the fall.

The trees have taken back the sky

smoke fading from the horizon

where toppled buildings lie in shame

rubble and bones, rubble and ruin.

You pull me against your chest

and whisper a name into my hair.

“Eve.”

I burrow against your ribs and wonder which of them formed me.

We drink your parents’ most expensive wine

mixed with energy drink the colour of electricity.

“To being the dinosaurs who wouldn’t die,” you offer.

I toast 

to teenage rule and to kissing you silly 

in the bomb crater in your back garden.

Day 24

24.  Liar, Liar

Big-eyed like the brazen doe

that ventured too close to the gardens at the edges of the woods

the summer I was ten

I stand spindly and spooked

too close to where I do not belong.

Observed; twitching fingers, 

hammering heart.

Woodpecker-wild.

Entrapment comes easy to your silken words;

your tree-sap truths and your fluent lies.

Hair between your fingers; her between your teeth.

All the better to bite you with, bite no bark.

When it bears the body of a bird, coercion sings.

Hold me when I am alone; on the forest floor, I’ll let ivy be my wedding-band.

From between the fingers you twisted, flowers grow.  

Day 25

25.  Pick an Animal

A man walks alone

on my black beach.

The sun holds his stooped and stilted form

in its earthbound arms

that tie me to the ground as surely as they do the sky.

The man is alone, and sad, and 

the only thing of his kind for hundreds of miles.

Like I am.  

He stops for shells; I stop for storms.

Kinship wears many skins, doesn’t it?

I skate low over the whitecap waves

and he is glad to see my wings cut the water.

I leave the hard-edged laugh of waves against rocks

for an open and endless line of silver on silver.

The broad back of a lone whale rises, silent, under me;

his sparkling breath flies from below and diamond-dusts the air.

He sings the song my bones know better than I

that his father and his father and his father sang 

to the coastline’s mocking call of time.

Time!  Those of us in the sky know nothing of time.

A hundred years and a hundred of our sharp and shining bodies

pass like the bright flicker of fish under the water’s blue skin.

In the sky, it is all one and the same.  And the edges of the world rise 

like mountains 

clawing their way from under the earth.  

And in the same way each year, chicks push upwards

and shake the world asunder again.  

I coast for miles back to my black beach

and the man’s only trace are his footprints.

From across the headland, She calls to me

and She flies to tangle with me in our vast and silent sky.  

Day 26

26.  Girlhood, Boyhood

Oh, god!  Look at you

jutting at the hip like you’ve never known the taste of

rejection pizza or chips salted with frustrated tears

lying on your messy bedsheets like they’ve never

held your nightmares, shaved clean like your god

chiselled you from marble and model genes

like your god is you, is you, is you

and on the seventh day, you took too many pills and threw up.

You eat air and breathe his smoke;

he’s a fuck-hungry snarling ferret of a boy

mink-coated and dull-eyed, and you can bet

that he buys and sells you back and forth like 

the filth he puts in his lungs, like you’re illegal

and ugly and you grow like a cancer in his gut

until you say yes and he can light you up again

and pull your poison peace back in.

Just once

I would like to see him wear your eyeliner

and hear you be the one to ask him to lay off, babe 

I’m tired.

Day 30

30.  Catharsis

Remember how you bloomed in my chest

roses in my ribcage, splitting my lungs with their thorns

and the air poured out and with it the poison that had paralysed me for so long.

Strange how something wordless latched onto your lyrics

the wonder of being felt by something unfeeling

heard by a distant angel, released by sound and song.

In sinking I learned how to swim

and in hearing your voice I learned to listen to my own

shouting through water and weightlessness.

All this time I was holding onto a little girl

who I wasn’t any longer, telling her her wounds would heal

when she was mine all along.

Being alone felt raw and fragile at first

but I was reborn in bubbles and breath breaking the surface

a mermaid-girl, full-grown and fluent in her own tongue.

In front of the mirror I shimmer and ebb

and remember my dreams:

in them, flight feels like swimming, like being held by your element, cold and clear.

Moving through water is only difficult

as long as your feet still touch the seabed.

I kick off and I may not float free, but I swim.  I swim.  I swim.  

Mud – a poem

Mud

Let people have their private nonsenses;

here is mine:

I thought I could weed-kill every part of you

that had taken root inside my chest;

pouring poison down my throat

just to be rid of your trembling leaves

that rustled when I breathed, no, no

I swore I didn’t love you anymore.

You wouldn’t be silenced; I could

bury you in mud three feet deep and 

you, sapling lover, would find purchase

in my hatred.  Crying out for arms

around me, I would climb shaking 

into your branches and nest like a bird

in your highest places.

Daisy Harris – 22/05/2019

ihateboys* – a poem

ihateboys*

*i hate the way they’ve been conditioned to treat me like one of their dad’s boats/like something to associate with only when the tide sits just so/how their connection to their feelings is as loose as their morals/festering like a rotted tooth, not prodded at but simply punched/the bathroom door never saw it coming/they say that hell is a teenage boy but have they ever felt the way i feel every time you laugh at one of my jokes/how you make me feel like i am golden and gilded/gilded like the lily you don’t offer when you ghost me later/the smell of your cologne clinging to your clothes/closer, closer/collarbone against my cheek, oh/you are an angular miracle/a marvel wearing misogyny like it’s silk/like it’s a suit tailored just for you/by the men who first taught you that the proper word for a girl’s downstairs parts was mine/and yet i still guzzle your rattlesnake romance/because venom tastes like champagne/when i don’t know you’re saving it for someone else. 

Daisy Harris – 21/05/2019

A little disclaimer – I do not hate boys.  I love boys.  I hate misogyny.  That’s what the asterisk’s for.