
My feet are moving so fast
rubber soles on runny pavements.
I am breathing noisily down the neck of the street
hands in pockets, eyes away from the cat-skittered shadows
and I do not see the snail until I step on it.
Crunch. I’m sorry for breaking you
but I can’t stop. I move
from light
to light
to safety
and the motionless blue is no place for a lone swimmer.
In the dark, the streets belong
to the easily-crushed.
I imagine how my spine might
fold, might be taken apart
easy in someone else’s soft hands.
Suburbia sleeps under thin cotton
the houses uncanny, awake
empty window, an eye; each numbered door, a gurning mouth.
I feel a figure loosen itself from every
ivy-hung and rain-rubbed wall. The turns
I make are sharp, and each pulls the air from my lungs
into frightened gasps, aimed over my shoulder. If feet were to
follow mine, to twist as I do between streetlight and silent
dark, if a will was to set its sights on my ribs and elbows
it would be exit stage left. Leave no trace.
Curtains would not twitch if I screamed.
Teach your children to question every narrative
to think that silent house does not mean slumber
when the walls sigh in their sleep. Abandon your ghosts
you who walks home late. Take no
lifts from strange men; take no easy breaths until you
are locked in. I feel my heart on my tongue
when I open my front door and join the town
beneath the surface of its indigo quiet. No-one rises
till seven. Cars are passive beasts, asleep at the houses’ heels.
There is always a light on in at least one window,
flickering,
failing,
out.
Daisy Harris
Accompanied by a beautiful photo by Emily Worms. Find more of her gorgeous work here: https://www.instagram.com/emily.worms/
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